| 1. |
|
|   |
Occasionally work from the East stands out for sheer quality of workmanship and this selection we have made, has we feel, this certain something. The low prices reflect the lower costs and in consequence are remarkable bargains. The works are by a variety of different anonymous artists. |
|   |
|
| 2. |
|
|   |
Her desire that both the form and the surface of her work should be emotionally, visually and physically satisfying, is captured in the one piece we managed to get from her. Just as happy in the landscape as the workspace, her highly tactile and original work is in demand wherever she exhibits. She is currently lecturing at the Royal Academy. |
|   |
| a. |
Spiral |
56 x 56 x 92 cm |
White Clay, terracotta and aggregates |
2/5 |
£3350 |
|
| 3. |
|
|   |
Since 1983 Lida has exhibited her very individual and historical themed work all over Europe including the Netherlands, France, Belgium and even the Czech Republic. Essentially she creates work in sets such as mediaeval, head ware, hairstyles, Saints and in this case Henry VIII and his wives. They all have a vibrancy and uniqueness which makes her stand out from the crowd. |
|   |
| a. |
Anne Boleyn |
38 x 26 x 46 cm |
Stoneware, glazed & gilded |
1/1 |
£1150 |
| b. |
Anne of Cleves |
48 x 20 x 52 cm |
Stoneware, glazed & gilded |
1/1 |
£1150 |
| c. |
Catherine Howard |
38 x 26 x 44 cm |
Stoneware, glazed & gilded |
1/1 |
£1150 |
| d. |
Catherine of Aragon |
42 x 22 x 42 cm |
Stoneware, glazed & gilded |
1/1 |
£1150 |
| e. |
Catherine Parr |
44 x 25 x 46 cm |
Stoneware, glazed & gilded |
1/1 |
£1150 |
| f. |
Henry VIII |
66 x 30 x 42 cm |
Stoneware, glazed & gilded |
1/1 |
£1720 |
| g. |
Jane Seymour |
42 x 26 x 44 cm |
Stoneware, glazed & gilded |
1/1 |
£1150 |
|
| 4. |
|
|   |
His charming, rounded, friendly figures have been snapped up by, amongst others, collectors in Holland, Austria, France, Germany, Singapore, Italy, Thailand, USA. Lord Carrington, Michael Hestletine, Tom Stoppard, and Pru Leith have pieces in their collections. |
|   |
|
| 5. |
|
|   |
His work has been exhibited and bought in London, Zurich, Rome, Amsterdam, Madrid, Los Angeles, New York, Miami, Aspen, Sydney, Toronto, Hong Kong, Glasgow, Paris, Monaco, Hamburg, Melbourne, Singapore, Washington DC, Chicago, Las Vegas, and Vancouver. His ethereal and original works are in the collections of the National Galleries of Canberra, Canada and Rome, The Natural History Museum, Museum Beelden Am Zee Holland and numerous private, corporate and public collections. |
|   |
| a. |
Nuud II |
74.5 x 46 cm |
Stainless Steel |
2/9 |
£2000 |
| b. |
Urbangel |
184 x 133 x 20 cm |
Bronze Mesh |
1/1 |
£9800 |
|
| 6. |
|
|   |
Dawn’s sculpture is stylised figurative and mainly in bronze. A lot of her work is based on families and relationships. A mother herself, much of her inspiration is drawn from her own experiences, relationships and feelings. ‘There is a myriad of feelings and emotions depicting relationships that I wish to explore, both dependent and inter-dependant. ‘I also produce works to commission and am aiming to get more this year’. She is currently working on a series of ‘horse and child’ pieces. Initially Dawn works on a small scale which can be scaled up to produce large pieces for outside. |
|   |
|
| 7. |
|
|   |
Trained at Reading University and the Ecole des Beaux Arts in Paris and having taken early retirement from teaching plunged into sculpture and portraiture and was selected for the RA Summer Exhibition. His time is almost entirely taken up by commissions so we are lucky to have his work to show his incredible talent for the human form in repose and motion. |
|   |
| a. |
Cart Wheeler |
51 x 65 cm |
Bronze Resin |
/21 |
£2500 |
| b. |
Deer |
87 cm |
Resin Bronze |
/21 |
£2500 |
| c. |
Deer & Fawn |
87 x 35 cm |
Bronze Resin |
/21 |
£3000 |
| d. |
Fawn |
35 cm |
Resin Bronze |
/21 |
£750 |
| e. |
Mara |
37 in |
Bronze Resin |
/21 |
£1500 |
|
| 8. |
|
|   |
A truly renaissance man with design skills in many fields alongside his innovative work in his passion of sculpture. His work can be found in many private and public collections around the West Midlands as well as elsewhere. He is a sculptor to watch. |
|   |
| a. |
Eternal |
4ft x 15cms |
Artists Recipe |
1/1 |
£1500 |
| b. |
Fall 1 |
130 x 32 cm |
Artists Recipe |
1/1 |
£1500 |
| c. |
Fall 2 |
93 x 45 cm |
Artists Recipe |
1/1 |
£1000 |
| d. |
Peace |
31 x 18 in |
Artists Recipe |
1/1 |
£1090 |
|
| 9. |
|
|   |
After 5 years studying sculpture at the Liverpool College of Art, she worked in America, Kenya and the North of England. All of which have influenced her in her figurative and abstract art. Only working in bronze, using cire perdue, she has work in collections in most parts of the country and you can see why. |
|   |
|
| 10. |
|
|   |
James, whose work can be found in private and public collections all over Britain, graduated from Maidstone School of Art, St Martin’s and the Royal College of Art. He is elected to the Royal Academy, Royal West of England Academy and a fellow of the Royal Society of British Sculptors. He has a sure touch and incredible knack of capturing not only the form but the spirit of his stunning pieces. |
|   |
|
| 11. |
|
|   |
Her work is derived from intense study of early civilisations. What she is interested in is the connection between man and his spiritual and physical world. In this secular society, with an ever-decreasing attention span, she is looking for something deeper and more lasting. |
|   |
| a. |
Druid |
38 in |
Monk’s Park Limestone |
1/1 |
£3250 |
|
| 12. |
|
|   |
He has a natural eye for form and design and unerring ability to turn the former into spectacular reality in stainless steel. He does this alongside this other skill in designing and creating original designer furniture for exteriors as well as interiors. |
|   |
|
| 13. |
|
|   |
He has work in private and public collections across the world who recognize his passion for releasing from stone the innate truth of the origins of the universe and forming it into new truths. Because of pressure of demand he has had to cast some pieces in bronze of which this is a fine example. |
|   |
|
| 14. |
|
|   |
Peter has exhibited his imaginative organic sculpture in innumerable outdoor and indoor exhibitions throughout Britain since graduating from Camberwell College, London. The majority of his work is in copper and steel.
His work has been purchased for collections in Europe, the US and New Zealand, such is the interest in his unearthly depictions of flora which blend in so well in garden settings, as exampled in BBC Gardener’s World, The FT , Sunday Express colour supplements etc. |
|   |
|
| 15. |
|
|   |
Whose work is in collections as far afield as France, Denmark, New Zealand and South Africa, as well as all over Britain. She trained under the RA Exhibition Sculptor, Gerda Rubenstein and has exhibited widely with the ever successful Surrey Sculpture Society. She works in bronze marble and iron resin, from her original clay, working mostly in human and animal form, where she somehow catches the mood of repose or movement. |
|   |
| a. |
Helen |
56 x 48 x 45 cm |
Bronze resin |
1/20 |
£750 |
| b. |
Jessica |
40 x 36 x 30 cm |
Bronze resin |
13/20 |
£500 |
| c. |
This N’ That |
55 x 57 x 99 cm |
Bronze resin |
6/20 |
£725 |
|
| 16. |
|
|   |
Shirley trained in Kingston-upon-Hull, and presently lives and works in Manchester. During Summer 1994 she attended the first international symposium in Prelip, Macedonia and also presented work and a guest lecture at the Kostelec Bohemia Festival in the Czech Republic in September 1995. In 1996 she was awarded a Henry Moore Foundation Bursary that supported residences in West Yorkshire and Western Australia. Shown at Whitworth Art Gallery and the Yorkshire Sculpture Park, and teaches at Bretton Hall. |
|   |
|
| 17. |
|
|   |
Having studied at Staffordshire Art College he went on to work with the remarkable Jonathan Wylder on the mammoth monument, the first Marquess of Westminster in Belgrave Square, amongst others. Working in bronze, ceramic, wood, reconstructed stone and resin his sculptures can be found all around the world. Very versatile and eclectic in his approach he somehow excels at everything he touches. Highly collectable. |
|   |
|
| 18. |
|
|   |
Particularly accomplished in humorous and life like animals, in bronze, ceramic and resin, and often uses colours outside the normal. Exhibits widely and has an avid following and you can see why. |
|   |
|
| 19. |
|
|   |
She has an unnerving skill in depicting the female form in all of it’s glory, somehow capturing the modern idiom, whilst at the same time preserving the traditional values of classical figurative sculpture. Angela captures the poise and elegance of the catwalk model and the essence of seduction within the semi naked figure. |
|   |
| a. |
Evanescence |
34 x 40 cm |
Bronze |
1/24 |
£3000 |
| b. |
Torn |
84 cm |
Ceramic |
/24 |
£1000 |
|
| 20. |
|
|   |
A remarkable self taught sculptor using found objects he creates abstract work with flair and passion which have a strong streak of realism to them. Already he has been invited to exhibit at the Mall Galleries, the Blackfriars Arts Centre, Boston and has pieces in collections all over the country. |
|   |
|
| 21. |
|
|   |
A rare Artists Blacksmith, whose work can be found at Eton College, The Natural History Museum, Elizabeth Frink, Goodwood Sculpture Park, Compton Castle, Laugharne Castle etc and because he is in such demand for commissions, has little time to indulge his passionate skill on his own inspirations, and we are lucky to have been able to get these pieces which exemplifies his astonishing imagination. |
|   |
| a. |
Drop |
3.6 m |
Stainless Steel |
1/1 |
£14200 |
| b. |
Guernsey Lily |
112 x 94 cm |
Stainless Steel & Copper |
1/1 |
£4000 |
|
| 22. |
|
|   |
She is in such demand that her work appears in collections all over the country. Her work is really special and I have been trying for four years to get some to show. It has certainly been worth the wait. |
|   |
| a. |
2. Eve III |
72 x 26 x 13 cm |
Bronze or Bronze Resin |
/9 |
£5417 |
| b. |
Crouching Woman |
78 x 56 x 54 cm |
Bronze or Bronze Resin |
/9 |
£9167 |
|
| 23. |
|
|   |
After two careers, in the Coldstream Guards and as a G.P., he has finally found his passion for using local materials and creating works for that landscape. His work is commission only, and his whims and follies can be found in Arizona, Yorkshire and Lincolnshire. He is influenced by Military Fortification and dry stonewalling of his native Yorkshire when he is not writing, exploring or inventing. |
|   |
|
| 24. |
|
|   |
A man of many parts, producing such serious and humorous work. Initially specializing in portrait and figurative work, moving via numerous commissions to his present mischievous approach, reminiscent of Hans Anderson or Mervin Peake, which are so sought after. He is the youngest person ever to have worked for Madame Tussauds in London. |
|   |
|
| 25. |
|
|   |
Whose Mastery of Stainless Steel is nothing short of remarkable and has considerable difficulty creating enough work to keep up with the demand. We are lucky to enjoy the result of her 4 years at Art School and 14 years of welding experience. |
|   |
| a. |
Fin |
238 x 75 x 50 cm |
Steel & stainless steel |
1/1 |
£2350 |
| b. |
Starboard |
165 x 34 x 35 cm |
Steel & stainless steel |
1/1 |
£2500 |
|
| 26. |
|
|   |
Studied at Bristol and the Sir Henry Doulton School of Sculpture and has swiftly found her metier in the female form in all its moods and sinuous beauty. Elisabeth has exhibited successfully throughout the UK and her work is in private collections in Europe and Africa. |
|   |
| a. |
Bridgette |
92 cm |
Bronze Resin |
1/9 |
£3500 |
| b. |
Embla |
92 cm |
Bronze Resin |
1/9 |
£3500 |
|
| 27. |
|
|   |
Veda works mainly in bronze, drawing inspiration from natural forms; fruits, seeds, birds and butterflies. Her present creative focus is on bronze wall pieces, using elements such as flights of birds, clouds or putterflies, and abstract fors, which are either 'one offs', or unique composites on commission. |
|   |
|
| 28. |
|
|   |
John Hawkwood, trained by Ian Hanson who went on to be the principal of Madame Tussauds, is a happy confluence of classical tradition and contemporary interpretation, and judges the quality of his work by its ability to communicate and evoke powerful emotional responses. |
|   |
| a. |
Autumn |
107 x 49 x 63 cm |
Bronze resin |
2/15 |
£5000 |
|
| 29. |
|
|   |
One of the most accurate and carefully made sundials available in Europe. Silas Higgon creates a wide selection of meticulously calibrated traditional and contemporary pieces. |
|   |
|
| 30. |
|
|   |
Michael Hipkins was born in 1942 and received his Art education at Blackpool College. He then went to Paris to study painting at the Academie de la Grande Chaumiere and Academie Julienne and etching and engraving at S.W. Hayter’s Atelier 17. Primarily absorbed by the human figure, he is not so concerned with naturalistic interpretation but rather with truth to materials used. In his stone carving he tries to bring out the quality of the stone, showing different degrees of process from the raw stone to a highly polished finish. The figures emerge from the stone creating unity in form, spirit and movement. |
|   |
| a. |
Sea Nymph |
42 x 34 x 25 cm |
Portuguese Rose Marble |
1/1 |
£3000 |
|
| 31. |
|
|   |
Is a figurative sculptor, working in an expressive, contemporary style. She is widely exhibited in the Cotswold, Sufffolk, Bristol, Birmingham, Oxford, London, Amsterdam and Munich. Her sculptures aspire to simplify the figure in order to reveal the essence of a state of being or movement. Her heads are less converned with portraiture, than with an archetypal experience. They have been stylised and distorted: hard angles and juxtaposed with rounded surfaces. Size, shape and proportins of the features are being experimented with, and simplified into clear lines and smooth surfaeces. Multiple heads are being held together by means of curves, caves and arches. |
|   |
|
| 32. |
|
|   |
“Graceful curves and planes, crystallize organic ideas with solid structures and suggest as yet undiscovered natural forms – the sort of sculpture one is compelled to touch”, is just one description of his delightful work that is so much in demand in the house, the workplace and the open space. |
|   |
| a. |
Contraflow |
127 x 21 cm |
Slate & Pewter |
1/1 |
£1700 |
| b. |
Klein Bottle II |
153 x 24 cm |
Clipsham limestone |
1/1 |
£2200 |
| c. |
Waves |
121 x 14 cm |
Slate & pewter |
1/1 |
£1158 |
|
| 33. |
|
|   |
He has used several dominant themes over the years but in the eighties returned to the figure as a vehicle for expressive abstract ideas. His accessible images present a light, even playful feel but beneath this immediacy lie the serious issues of form and structure which have always controlled his work. John Huggins’ sculptures have been exhibited in Geneva, Amsterdam, the Hague, Guernsey and the US as well as in Bath, Birmingham, Bristol and London where he has had twelve one-man shows and been continuously represented since 1968. He is a member of the Royal Society of British Sculptors and the Royal West of England Academy where he is currently Academician’s Chairman. He lives and works in Gloucestershire UK. |
|   |
|
| 34. |
|
|   |
Has an insatiable love of animals and her skill is translating the wildlife in the country and the sea shore of Kent into Sculpture. She somehow captures both the strength and repose of her subjects. As she is always working on commissions she has little time to indulge her inclinations and we are extraordinary lucky to have these pieces. |
|   |
|
| 35. |
|
|   |
She specialises very successfully in animal and figurative work somehow capturing the inner spirit with a spontaneity to be envied and admired. Living in her native Scotland her following nevertheless seem to span the world. Her work shows immense maturity and intuition and it is surprising to discover that she only graduated in 1999. An artist to watch. |
|   |
|
| 36. |
|
|   |
Born in Stuttgart – has a background of painting, drawing, collage, porcelain and terracotta, and her work reflects and evokes her love of the natural and gentle memories of her childhood. Usually cast in resin bronze, though her commissions are in bronze. |
|   |
| a. |
Me & you |
112 cm |
Bronze resin |
2/20 |
£2000 |
|
| 37. |
|
|   |
Alan’s love of well tooled machinery combined with a strong creative urge, in his creation of creatures, which somehow whilst having a slight touch of humour, have an underlying pervasive strength and artistry. Much in demand and in collections worldwide we are lucky to have the enjoyment of these one off pieces, which take so long to put together. |
|   |
| a. |
Cockerel |
4 x 2 ft |
Metal |
1/1 |
£840 |
| b. |
Crane |
3 x 2 ft |
Metal |
1/1 |
£840 |
| c. |
Mayfly |
4 x 4 ft |
Metal |
1/1 |
£840 |
|
| 38. |
|
|   |
Trained at Winchester School of Art, and works in terracotta, resin bronze, bronze, cement fondue and plaster, using the human form with mythological references, the lighter side also attracts her, using colour, movement and humour. |
|   |
|
| 39. |
|
|   |
It is a real pleasure to be able to welcome back Lucy’s rapturous approach to nature, and her skilful use of patination. Usually her exhibitions are a sell out, so we were lucky to have this piece to show you. |
|   |
|
| 40. |
|
|   |
The gentle giant of the sculpture world, whose life-size and powerful work reflects his inner calm. A member of the Surrey Sculpture Society, and teacher and lecturer on sculpting. |
|   |
|
| 41. |
|
|   |
Has a natural ability, augmented by study at Hereford College of Art and Design, to create life and mythical forms from steel, copper and other metals, and the few pieces that he creates get snapped up by his fellow islanders and from further afield. He gets better every time he sets his hand to the welder. |
|   |
| a. |
Face en Face |
49 x 30 x 38 cm |
Copper & Steel |
1/1 |
|
| b. |
Reach |
209 x 56 x 52 cm |
Steel |
1/1 |
£4270 |
| c. |
Ronin |
185 x 86 x 125 cm |
Copper & Steel |
1/1 |
£10835 |
|
| 42. |
|
|   |
His experience initially in the steel fabrication industry with British Steel preceded his time at Salford University and these combine to inspire him to create these powerful metal images. Most of his work is commissioned for public display in his beloved North of England. He is open to commissions on similar subjects if you have something in mind. |
|   |
|
| 43. |
|
|   |
An unusually talented and multifaceted family team whose creations seem so varied and diverse it is difficult to classify them, whether working individually or jointly. They produce sundials, portraits, Prince Charles playing Polo, the Earl of Lichfield, Armillary Spheres, Dessert Orchid, wildlife etc etc. Remarkable and very collectable. |
|   |
|
| 44. |
|
|   |
His enthusiasm and skill is only equalled by his dedication, hard work and knowledge. Not only did he help to launch the Yorkshire Sculpture Park but his interpretation of steel into his passion for art in the landscape is exemplified in these pieces. Michael has recently won the Yuzi prize (joint first prize) at the first Guilin Yuzi Paradise International Sculpture Awards in China. |
|   |
|
| 45. |
|
|   |
Because of the immense demand in Holland for his scultures, there seems scarcely a town there that does not have at least one of his works. It is only because his ancestors, fleeing from the terror in Normandy, lived for a time in Guernsey that we persuaded this sculptural giant to exhibit here. |
|   |
|
| 46. |
|
|   |
He is not only an accomplished Artist having been chosen for the RA summer exhibition and has won the 1st prize for the National Exhibition of Carved Birds, but has had successful careers in Trout Farming, Accountancy and the Wine Trade before he was captivated by sculpture and by the contours of living creatures and the way they flow to form a whole. He requests you to enjoy the tactile quality of his work. Most of his larger pieces can be seen in the many cruise liners that ply our waters. |
|   |
|
| 47. |
|
|   |
Revels in interpreting the human form and wildlife in such a way, that he seems to touch a chord with everybody – he is without doubt the most sought after Sculptor in the island, and is a frequent visitor here with his friend and co-sculptor Guy Portelli.
Ev has been working as a professional sculptor for the past 35 years. He works in clay then casts his pieces in bronze or various resins. In recent years his abstract sculptures have been constructed with stainless steel.
In both his figurative and abstract works he strives to illustrate the natural vitality linking humans and other living forms. This is particularly evident in his latest works such as `Budburst`, `Vol au Vent` and `Earthdance`. |
|   |
|
| 48. |
|
|   |
Works in bronze, resin bronze and terracotta. Portrait busts include HRH the Duchess of Kent, Sir George Edwards, Sebastian Coe and Jaqueline Bouvier (Onasis). President for 5 years of the Society of Portrait Sculptors. Work in collections worldwide. Recent commissions include 11ft high bronze Pilgrim Statue for Walsingham. Exhibiting at the R.A., 28 Cork Street, London and abroad. |
|   |
|
| 49. |
|
|   |
A remarkable Artist who has exhibited all over the free world from the UK to Japan and Poland to the USA. The work is to be found throughout in public and private collections. He has also taught at Universities in the UK, Sweden, Italy, Spain and across the USA. |
|   |
|
| 50. |
|
|   |
Terry comes with a natural talent honed at an impressive selection of Art Academia; Wimbledon School of Art, Hornsey College of Art and the Royal College of Art. He has been invited to exhibit extensively in Australia, Britain, Italy & France and features prominently in ‘Modern British Sculpture’ the book of sculptors of 20th Century by Guy Portelli. |
|   |
| a. |
Accord |
76 x 74 x 50 cm |
Cold Cast Iron |
1/10 |
£7920 |
| b. |
Undercurrents II |
90 x 170 x 30 cm |
Cold Cast Copper |
2/5 |
£6670 |
|
| 51. |
|
|   |
Nearly all his work is devoted to the exploration of glass as a sculptural medium and where appropriate he adapts the latest glass engineering techniques. He often incorporates toughened and shatter resistant glass laminates and is thus able to create glass sculpture which does not need support and is robust and durable.
Has exhibited and sold his unique glass pieces all over the world.
His technology degree has given him great insight into structure and physical properties of glass, and this enables him to realise highly original and unexpected artistic possibilities for this spectacular medium.
His work frequently features on television.
Very much in demand. |
|   |
| a. |
Chimera |
180 x 76 x 29 cm |
Bonded & laminated cobalt blue glass |
1/1 |
£3670 |
|
| 52. |
|
|   |
Started his career in art young – studying at the Cardiff Art School and the Royal College of Art. He has exhibited all over Britain, where his art is sought after for public and private collections. Working largely in stone and marble, his versatile chisel creates miniature and massive work. One of the greats of the old school. |
|   |
| a. |
My Doll |
|
Portland stone |
1/1 |
£4200 |
|
| 53. |
|
|   |
An innovative creator of Sundials has come up with a variety of modern ideas for the ancient solar time piece. We are very lucky to have these on view as they are much sort after and take time to produce individually. The split gnomon gives that instant of sunlight at midday passing through it, similar to Stonehenge’s Sarsons on Midsummer’s Day. |
|   |
|
| 54. |
|
|   |
A rare artist who has both skill, sense of humour, a love of his work and his subject. All these attributes shine through in his work. |
|   |
| a. |
Fat Sally |
56 x 30 in |
Iron Resin |
3/12 |
£2800 |
|
| 55. |
|
|   |
Gary has a deftness and skill with copper, which combines with a sure eye for form. The shapes and designs are absorbed from nature and then worked into the finished creation. He has work in private collections all over the country, we have sent them as far as Switzerland. |
|   |
|
| 56. |
|
|   |
Rising head and shoulders above his contemporaries his work is found all over Britain, the US and Europe, in private, public and corporate collections. Somehow with all his commissions and own inspirations he manages to find time to work on the committee of the RBS and write books on the sculptors of the 20th Century with equal skill and panache. |
|   |
| a. |
Equuileus |
1.4 x 2 m |
Stainless steel |
1/1 |
£12000 |
| b. |
Hope |
100 x 60 x 30 cm |
Steel/bronze and mosaic |
/3 |
£6670 |
| c. |
Seelife Panel |
1.4 x 1 m |
Bronze & GlassMosaic |
1/1 |
|
|
| 57. |
|
|   |
His great skill in figurative work is reflected in the astonishing amount of commissions, bronze portraits of such heroes such as Douglas Bader, Wellington, Napoleon, Johnny Johnson etc and his ability to give a feeling of movement as well as peace, he has been asked to exhibit at the RA, The Sladmore Gallery, Tokyo, New York etc etc. |
|   |
|
| 58. |
|
|   |
She captures the flow of movement and emotion from life with a simplicity and zest which is so evocative and exciting. Her work can be found in private collections in UK, Europe and Australia and numerous public sites. |
|   |
|
| 59. |
|
|   |
A thoroughly accomplished and well rounded artist in sculpture, painting and drawing whose skill extends to teaching and organizing workshops and exhibitions. Despite this busy life he is featured in a great deal in a wide variety of exhibitions in London, Frankfurt, The Tate, Philadelphia, Berlin, etc etc. |
|   |
|
| 60. |
|
|   |
Sue Riley was born in London. In 1971 she graduated from Portsmouth College of Art with a first class Honours degree in Fine Art. Her sculptures in Clay, Plaster, Bronze and Bronze Resin as well as other media, are frequently based on the female form, often inspired by the ballet with its movement and flow and its exhilarations and its exhaustions. They have been described as ‘Fleeting glimpses… capturing the essence of the feminine’. |
|   |
| a. |
Ella |
80 x 24 x 26 cm |
Bronze resin |
14/35 |
£1350 |
| b. |
Female Dancer |
126 x 61 x 43 cm |
Bronze resin |
1/21 |
£1670 |
| c. |
Male Dancer |
115 x 153 x 46 cm |
Bronze resin |
1/21 |
£1670 |
| d. |
Male Torso |
102 x 42 x 18 cm |
Bronze resin |
4/21 |
£1350 |
| e. |
Points |
86 x 35 x 15 cm |
Bronze resin |
14/35 |
£1350 |
|
| 61. |
|
|   |
The man who rediscovered the Aeolian Harp as an art form. The Ancients used to use wooden boxes with harp strings which were vibrated by the wind but it was not until Geoffrey applied his technical skill combined with his artists flair that something so pleasing on the eye and ear has been created from modern composites. Despite being in such demand for what he can make he still somehow finds time to create new and exciting forms. |
|   |
| a. |
Aforia |
5.75 ft |
bronze resin |
8/50 |
£4000 |
|
| 62. |
|
|   |
Elizabeth, Diploma Art & Design (Wales) Post Graduate Year City & Guilds (London), has exhibited in London, Paris and Amsterdam: Works aim for tension, balance and latent movement and are in collections in England, Germany and Holland. Of Anglo-Irish descent, she has lived in Ireland, Scotland and Wales. She was elected Associate Member of the Royal British Society of Sculptors in 1998 and shows with Surrey Sculptors, Surrey artists, Hampshire Sculpture Trust and Local Galleries. Her work was shown at the Hannah Peschar Sculpture in Landscape, in Gardens of ArtParkS International, Le Club des Arts, 4 place du Louvre Paris, Gallery Lughien Amsterdam, and semi permanent at Beale Park, Reading. She has sculpture in private collections in England, Wales, Germany and Holland. |
|   |
|
| 63. |
|
|   |
Jilly Sutton trained at Exeter College of Art. She carves ‘in the round’ large pieces of tree, the challenge being the plastic manipulation of the wood. Her mostly figurative work has a haunting beauty, with an over-riding feeling of peace. Her double sized head of the Poet Laureate is in the National Portrait Gallery. Much of her work is cast in bronze or jesmonite. |
|   |
|
| 64. |
|
|   |
Her love of all animals is supremely exemplified in all of her sculpture. Some catching that moment, whether the poise before the pounce of a big cat or the sudden turn of a swerving hare. She now spends much of her time in South Africa working on her beloved animals. |
|   |
|
| 65. |
|
|   |
A truly remarkable man who is the quintessential artist of his time as he moves effortlessly from era to era with skilful ease. Currently the exhibition ‘Bubbling Optimism’ epitomises his strength and success. His work is spread world wide and has an enthusiastic following of friends and clients, who are usually both, so it is quite difficult to get a piece of his work before all the editions are snapped up.
Peter Thursby and his lifetime of work is the subject at the Guernsey Museum Art exhibition this year till June. Go and look at what he has achieved with pieces from a few inches high to larger than life. Unusually there is some work for sale, so do take this rare opportunity. |
|   |
|
| 66. |
|
|   |
A remarkably versatile artist, having graduated from Wimbledon, Chelsea and The Royal College where she won the Henry Moore Scholarship she creates work of quality and power. |
|   |
| a. |
Orbit |
150 x 150 x 80 cm |
Stainless Steel |
1/1 |
£3500 |
| b. |
Splash |
4 x 1 x 1 m |
Steel |
1/1 |
£25000 |
|
| 67. |
|
|   |
A member of the Surrey Sculpture Society revels in ceramics as an Art Form and produces these lovely shells amongst other things at very reasonable prices to adorn pools, rockeries and gardens. Very popular in England. |
|   |
|
| 68. |
|
|   |
Marcelle, whose feral imagination spans and creates a wonderful variety of work, be it re-carving the landscape or creating sculpture to form a symbiosis with its space, so that both intensify each other. Look at her portfolio to see this personified. She has exhibited all over Europe, though this is her first time in Guernsey, and we are incredibly lucky to have her work represented here. |
|   |
| a. |
Maple Seed |
1.2 x 1.3 x 0.3 m |
Painted metal 4 different mosaics |
1/4 |
£1450 |
|
| 69. |
|
|   |
Although born in the US, she has lived most of her life in England where she studied at Morley College of Art, Heatherley School of Arts and Sir John Cass School of Fine Art. Her beautifully evocative figurative work is in demand wherever she exhibits. |
|   |
| a. |
Antonia |
8 x 32 in |
Cement Fondue |
1/9 |
£1170 |
|
| 70. |
|
|   |
Her private commissions can be found in Holland, Germany, Portugal, Switzerland and the America’s and her public commissions include St. Thomas’s Hospital, Keele University, Albourne Church etc etc. Like many great sculptors she started as a painter but unusually came to sculpting via domestic pottery, but what a result. |
|   |
|
| 71. |
|
|   |
Paul has a natural aptitude with stone using natural forms as a basis for his pleasing and tactile work. His central natural theme pervades his diverse subjects and materials, a collectors sculptor. Although trained he has that something that cannot be acquired through learning. |
|   |
| a. |
Ocean Cone |
90 x 47 x 20 cm |
Derbyshire limestone |
1/1 |
£1740 |
| b. |
Seapod |
83 x 27 x 33 cm |
Derbyshire Limestone |
1/1 |
£3000 |
| c. |
Tideway |
66 x 21 x 55 cm |
Derbyshire limestone |
1/1 |
£2140 |
|
| 72. |
|
|   |
Trained at Goldsmith and The Royal College of Art. In her animal work she manages to capture that fleeting essence of movement which transcends mere accuracy, a rare accomplishment. Olive often uses mythology as subject matter for her work involving the human form. She finds the demands of expressing emotion relevant to the human condition both challenging and exciting. |
|   |
|
| 73. |
|
|   |
He is one of those rare artists whose skill is entirely natural and untaught and whose artistry has been appreciated by such as Sir Cecil Beaton, his first client, The Duke of Westminster who commissioned a 5 metre bronze of his ancestor Sir Robert Grosvenor and so the list goes on. He is particularly well known for his singular ability to capture that spontaneous moment of movement or repose whether of people, birds or animals. |
|   |
| a. |
Clair |
lifesize |
Bronze Resin |
sold out |
|
| b. |
Jasmine I |
Lifesize |
Bronze resin |
A/C |
£4213 |
| c. |
Jasmine II |
Lifesize |
Bronze resin |
A/C |
£6340 |
| d. |
Jessica I |
120 x 50 cm |
Bronze Resin |
A/C |
£4200 |
| e. |
Swan |
Lifesize |
Bronze |
1/3 |
£9787 |
| f. |
The Awakening |
Lifesize |
Bronze resin |
A/C |
£12765 |
|
| 74. |
|
|   |
Though inspired by classical tradition, Althea’s work develops her forms of human figures and animals with a contemporary treatment, using high-fired ceramic with the colour of cotwold stone |
|   |
|
| 75. |
|
|   |
Jenny expresses a feeling of tranquillity, spiritually and beauty in her sculpture of female figures and children, for which she may use her family to sit, whilst she models them, as her sculptures of Ben and Kate. She has most of her sculptures cast in bronze or bronze resin. Jenny has exhibited at over 20 galleries and stately gardens from Cornwall to East Sussex and galleries in London. |
|   |
| a. |
Kate |
29 x 25 in |
Resin bronze |
1/30 |
£1650 |
| b. |
Rosetta |
62 x 44 x 71 cm |
Bronze Resin |
4/40 |
£1420 |
| c. |
Toby |
22 x 22 in |
Resin bronze |
7/40 |
£1350 |
|